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not bad...
From a novice...

Algeria Hotel
A worthwhile read
A compelling read

Not this time!
Competent, kind of dullMuch of this book narrowly reads the available diplomatic materials and often reads as a paraphrase of rather inconclusive discussions between the Americans, the French and the British on such questions as Algeria, trying to revamp NATO to increase French power (unsuccessfully), and the question of a French nuclear deterrent. Wall does have an important new thesis: in contrast to the hagiography around De Gaulle, he argues that the president did not in fact plan in 1958 to eventually give Algeria independence, but in fact wanted to keep it as French as possible. Unfortunately for the reader, the book is more than half over by the time he encounters this. The thesis is interesting and is certainly plausible; De Gaulle did appear to wish to cover Algeria in new euphemisms for dependence. And if true, it would mean that De Gaulle prolonged the war with worse results than if the government had stared down the military rebels in 1958. Still it is not definitive, since De Gaulle spoke different things to different people. Wall's verdict on De Gaulle's foreign policy is largely negative, since he achieved very little. Wall does make the interesting comment that by concentrating on the prestige item of nuclear weapons, De Gaulle failed to modernize conventional forces which would have made France more effective in a post cold-war Europe. One problem with this book is that Wall is somewhat repetitive. Another, and more serious problem, is that one learns relatively little about the partner in America's negotiations. The contrast with Walter Lafeber's The Clash on Japan, or Piero Gleijeses' Shattered Hope on Guatemala, or Neil Sheehan's A Bright Shining Lie on Vietnam is striking. There is some interesting information on France; there is much less, however on Algeria itself.
Was de Gaulle as arrogant as he appeared?

good first book

Dated informationNote: Don't buy this if you are in the U.S. Military. It is a RAND product and you can get it for free. If you are not U.S. Military it is still a good read and worth the price.


A Rich Mosaic of Fragments***** Five stars for the idea or conception of the novel, for language (if it is well-translated), for the whole effort of bringing a woman's perspective on colonialism, on revolutionary struggle, and on tradition. Djebar is obsessed with the "word", especially the written word and its strength. "The word is a torch; to be held up in front of the wall of separation or withdrawal..." Words preserve and pass on memories, tragedies, pain, love and lack of love. Words hold the keys to Algeria's past, the world shattered by the French invasion and conquest of the mid-19th century, when 25 years of war ruined the country. But the French conquerers wrote of it, much more than the Algerian defenders. Their words must be mined for the reality, we must forge the Algerian view from the 'ore'. Words again unite the Algerian women and men who fought France in the 1950s. But those very French words, the language of the conquerers and destroyers, are used to pass on here, in this novel, the very heartfelt, most intimate emotions of the author. She speaks of this. Perhaps silence is more powerful, implying resistance. "Writing does not silence the voice, but awakens it, above all to resurrect so many vanished sisters." Those are the sisters who didn't know French, who could not speak out from their cloistered existence.
****For bringing Algerian history to life from an Algerian perspective, and an Algerian woman's view at that, a woman who, through an educated father and schooling escaped the enclosed future that awaited her. The struggle, the never-ending resistance to the occupation of their land.
***The plot of a novel is a fishing line with some attractive hooks for catching readers. If this line is broken too often, no fish can be caught. The novel becomes a collection of beautiful fragments, leaving the reader to imagine what it could be if it were all joined somehow. FANTASIA suffers from a too intricate sub-division of the voices. It is a layered approach, the conflict between two worlds---a conflict that entered even into the author's soul--- it is effective poetically, but not as prose....we lose track of who is saying what, who is related to whom, where everyone fits in. Overall Djebar reaches us, but the novel has an abstract quality that does not emotionally involve us much with any characters.


guest

Ambitious but Perhaps Too Much So...The second part part shifts to Marseilles, and follows Robert as he flees the OAS and waits for his love to follow him. The is written from the perspective of JoJo, his longtime comrade and OAS commander, and is tautly effective as it is clear they will never let him simply leave. The final third is written from Robert's own perspective, as he is forced to join his former comrades to fight as a mercenary in the Belgian Congo. This is the least effective portion, as the hold JoJo has over him becomes more and more tenuous and implausible. The tragic ending is of little surprise and the coda (from the lover's perspective) is just a touch sappy. The book is clearly attempting to do a lot of things and cover a lot of themes at once, and although successful on an individual level in many of these, it also failed to fully come together for me. This is partly die to the use of three narrators with essential the same voice, but more so the ambiguous nature of Robert and JoJo's relationship. I suspect that unless one has an interest in Algerian history (as I do), the book will fail to satisfy on plot and writing alone.


doesn't live up to titleOne bit of information given in this book was especially interesting, however. This is about the CIA hiring Algerians to fight in Afghanistan against the Soviet Union. This had very negative consequences on Algeria when these men returned to Algeria. It is also interesting to note that U.S involvement in Algeria has led to the current Taliban situation (a subject outside the realm of this book).
Interesting reference book about Algeria

A travesty of Augustine's workIf you have to read the Confessions in English, by all means stick with Henry Chadwick.
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